Eventually, he came to admire its physical and sensory qualities and began to discover more about its connection to alchemy. Kiefer's initial attraction to lead arose when he had to repair aging pipes in the first house he owned. He often chooses materials for their alchemical properties- lead in particular. " In doing so, he transforms his materials with acid baths and physical blows with sticks and axes, among other processes. Kiefer values a "spiritual connection" with the materials he works with, "extracting the spirit that already lives within. In all, Kiefer searches for the meaning of existence and "representation of the incomprehensible and the non-representational." Cosmogony is also a large focus in his works. His later works incorporate themes from Judeo-Christian, ancient Egyptian, and Oriental cultures, which he combines with other motifs. In his middle years, his inspiration came from literary figures, namely Paul Celan and Ingeborg Bachmann. Generally, Kiefer attributes traditional mythology, books, and libraries as his main subjects and sources of inspiration. In 2017, Kiefer was ranked one of the richest 1,001 individuals and families in Germany by the monthly business publication Manager Magazin. From 2008 he lived in Paris, in a large house in the Marais district, with his second wife, the Austrian photographer Renate Graf, and their two children. Kiefer left his first wife and children in Germany on his move to Barjac in 1992. He remained in the Neckar-Odenwald-Kreis until 1992 his output during this first creative time is known as The German Years. In 1971 Kiefer moved to Hornbach ( Walldürn) and established a studio. In Karlsruhe, he studied under Peter Dreher, a realist and figurative painter. However, after three semesters he switched to art, studying at art academies in Freiburg and Karlsruhe. He studied at the University of Freiburg, studying pre-law and Romance languages. In 1951, his family moved to Ottersdorf, and he attended public school in Rastatt, graduating high school in 1965. His city having been heavily bombed, Kiefer grew up surrounded by the devastation of the war. The son of a German art teacher, Kiefer was born in Donaueschingen a few months before the end of World War II. In 2018, he was awarded Austrian citizenship. Since 2008, he has lived and worked primarily in Paris. Kiefer has lived and worked in France since 1992. All of these are encoded sigils through which Kiefer seeks to process the past this has resulted in his work being linked with the movements New Symbolism and Neo–Expressionism. It is also characteristic of his work to find signatures and names of people of historical importance, legendary figures or historical places. His works are characterised by an unflinching willingness to confront his culture's dark past, and unrealised potential, in works that are often done on a large, confrontational scale well suited to the subjects. Themes from Nazi rule are particularly reflected in his work for instance, the painting Margarethe (oil and straw on canvas) was inspired by Celan's well-known poem " Todesfuge" ("Death Fugue"). In his entire body of work, Kiefer argues with the past and addresses taboo and controversial issues from recent history. The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horrors of the Holocaust, as have the spiritual concepts of Kabbalah. His works incorporate materials such as straw, ash, clay, lead, and shellac. He studied with Peter Dreher and Horst Antes at the end of the 1960s. By attending, you grant the Museum permission to use photographs and/or audiovisual recordings in which you appear for archival, documentary, publicity, advertising, or other purposes.Grane, Woodcut with paint and collage on paper mounted on linen, Museum of Modern Art, New YorkĪnselm Kiefer (born 8 March 1945) is a German painter and sculptor. Please note that visitors to the Museum may be photographed, videotaped, or otherwise recorded. Smoking and e-cigarettes are not permitted anywhere within the Museum. Pets are not permitted in the Museum or Courtyard. Students, Seniors, and Visitors Identifying as Disabled: $5.00Ĭaregivers Accompanying People Who Are Disabledīank of America cardholders on the first weekend of each month through the Museums on Us program.įood and drinks are not allowed in the galleries.
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